The People

Starved out of politeness, cockroach-kicked feet
walk across a blue night.
My lungs are stuck together, breathing in
radiation from the hot air
blown in my face.

The people, the people glow
white teeth at every camera. I see
the teapot boiling,
steam rising,
whistle blowing….

my ears ring out electric chords,
far from the classic, ghostly shadow
that sprawl across my nerves
when they start to shiver.

They eat very little,
or a lot, or they drink
or not,
or they lie and mispronounce their own
names on purpose and move around mountains
blending in with the tones of the town.

These people seem largely designed, I
walk on needles. I am little and not
proportionate. I dream about
ages, and eggs and other meals
that are not enough on their own.

Is anyone? Enough with just their teeth and
their camera and light?
“She’s only crazy,” says my mother.
And the hills are long monsters leaking
into my brain. I’m dizzy
and distorted. This image.
This image set up in sanity, or not.

Janus

By doorways and walls, I pass through
with two faces. I am honoured
and assassinated by fruits and
seeds of the people.

They move their lips, I hear deep shrills.
They whisper like big cannons
at battle. I keep each as a sacred
stone; I throw each as a poisonous tale.

Today, God loves my motion. I merge with
Galileo under seven planets
I am his Dialogue on the Ebb and Flow of the Sea.

But tomorrow will take me suspiciously.
Medusa will come to show
the bogus end of Venus and her beautiful phase.

White weasels come in pack, they smell her
insidiousness; she sits coy on my tongue
while I am categorized.

Back to square rooms, black chairs,
flat carpet,
doorways,
walls,
I pass through with two faces.
I am honoured by amber vials,
assassinated by the pills.

They move their lips,
I hear fuzziness and laughter…
quit laughing at me
quit laughing at me
I am a statue,
I am trapped here.

The Great Crime

You will lay aside your suspicions of me.
Slide the doormat over your back,
be still.
I turn silver coin accusation
between my finger tips
and flip.

The great crime, I ask you,
a civil war inside me,
or you?

My innocence is like this!

Your guilt is a private loss,
but the way you droop confidence
downward, as if the ground
will forgive you,
shows my victory,

and in my voice, forgiveness,
but my gut smirks.
I am a temple of construction.